So how did he pull off a complete switching of gears to make the album he chose so cheekily to call First Taste? But even a passing familiarity with Segall's recorded output reveals that not only has the electric guitar been a prime vehicle for his musical expression, it's actually the focal point of what makes him so compelling as an artist. Given his inexhaustible penchant for sonic experimentation, it all fits the profile for Segall, who over the past decade has churned out a rapidly expanding galaxy of genre-busting rock, ranging from the raw, throwback garage punk of his 2008 self-titled debut to the mind-bending sophistication of 2014's Manipulator, a deep study in psychedelic freestyling inspired by the likes of Jimi Hendrix's Electric Ladyland. For me, it just felt like I was using similar voicings and chords all the time, so I thought I needed to play instruments I didn't know how to play, you know? Those are the instruments I literally learned how to play for the album, and I wrote songs on them for the first time." “I think that happens if you become too familiar and comfortable with an instrument. “I noticed that I was falling into patterns with my guitar playing," he says candidly. As Segall himself explains, the idea emerged from what he experienced as a mild crisis of creative necessity. And it's not a move he made by design-at least, not exactly. Let's refrain from “burying the lead," so to speak, and begin instead with an uncanny revelation: There are no guitars on noted garage/psych-rocker Ty Segall's new album.
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